Fujicolor C200 Review

Fujicolor C200 is a daylight balanced, ISO 200 film offered by Fujifilm, currently is one of the few films remaining in the Fujifilm consumer series after the discontinuation of Superia 200. Along with Fujicolor C200 the other option is the Fujicolor X-TRA 400, a similar film in the ISO400 range.

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When searching for more information about this film, many people wonder if this film is a re-packed Superia 200 others affirm that is Agfa Vista Plus 200. I can confirm that is not any of those, it looks similar to the Agfa, but it is quite different from the Superia 200. I believe the Fujicolor C200 is a different and low-cost Fujifilm emulsion that is cheaply produced, in order to reduce costs and keep a consumer film in the market. The main difference probably is the lack of the famous 4th layer included in Superia 200. Although C200 is introduced as the cheapest option available, I was quite pleased with the results, much more than with the Superia 200. Without getting too technical, here is how the structure of both films looks side by side.

c200 vs superia 200

Name Fujifilm Fujicolor C200
ISO 200
Developer C-41, CN-16
Available formats 35mm
Exposures 24, 36
DX coding Yes
Availability ★★★★★

IMG_20170318_161758_HDR

The advantage of reviewing a cheap film is that I don’t need to break the piggy bank to buy it, I was able to buy several rolls to try them in different lights and situations. With this film, I used my -now defunct- Nikon F100 with the 24-120mm f3.5-5.6D when hiking and camping in Taiwan. A F90x / 50mm f1.8D for the beach trips, along with the Nikon FM2 with a 28mm and a 50mm f1.8 Ais for my daily life shots, trips to the US and a trip in the French Pyrenees.

[FILM] TAIWAN camping KTV MAR2017 Nikon F100 Fujicolor C200007

US Des Moines Halloween OCT2018 Nikon FM2 Fujicolor C200029

The Fujicolor C200 is a really balanced film, rendering a quite balanced palette. As with many Fujifilm films, greens are one of its strongest points. Not so vivid as the Superia line, and it always rendered slightly warm green tones. Not as warm as Kodak Colorplus 200, but warmer than I remember them in the real scene.

FRANCE - Pyrenees Ariegeoises - Jul 2017 - Nikon FM2 Fujicolor C200018

FRANCE - Pyrenees Ariegeoises - Jul 2017 - Nikon FM2 Fujicolor C200028

Shooting at box speed gives you very natural and pleasant blue tones, really wide tonality and surprisingly this film is quite forgiving in the highlights considering its price.

FRANCE - Pyrenees Ariegeoises - Jul 2017 - Nikon FM2 Fujicolor C200008

US Des Moines Halloween OCT2018 Nikon FM2 Fujicolor C200034

Reds are more muted than other Fujifilm films, films like Superia 200, or the Industrial 100 are much more vivid and intense. Definitely I prefer this muted red tones, a little bit more “red firebrick” than bright red.

FRANCE - Pyrenees Ariegeoises - Jul 2017 - Nikon FM2 Fujicolor C200007

FRANCE - Pyrenees Ariegeoises - Jul 2017 - Nikon FM2 Fujicolor C200004

Same as blue tones, yellow tones are natural, balanced and true to color.

[FILM] TAIWAN tamsui summer JUL2017 Nikon F100 (Problem) Fujicolor C200 -007

In addition, I tested this film in some portraits, with some friends withd ifferent skin tones under natural light and direct flash, to see how this film reacts to different situations. You can click to enlarge this gallery.

Is not a film designed for portraits, but still does a really good job. Natural skin tones, slightly more warm or magenta than they were in real life, but it can be easily solved in post (none of these pictures was edited). In my opinion, is MUCH better than the discontinued Superia 200, and better than Superia 400 shot at box speed (overexposing will solve the magenta skin tone). It wouldn’t be my top choice for a portrait session, but it definitely has the potential to be an excellent balanced walk-around film.


Color chart and measurement of the colors.

[FILM] TAIWAN tamsui summer JUL2017 Nikon F100 (Problem) Fujicolor C200 -014

YELLOW Average Colour R:240.0 G:210.0 B:56.0

RED Average Colour R:210.0 G:110.0 B:60.0

BLUE Average Colour R:68.0 G:121.0 B:158.0

GREEN Average Colour  R:158.0 G:195.0 B:76.0

See also: How do I measure the colors?


[FILM] TAIWAN camping KTV MAR2017 Nikon F100 Fujicolor C200014

FRANCE - Pyrenees Ariegeoises - Jul 2017 - Nikon FM2 Fujicolor C200001

[FILM] TAIWAN camping KTV MAR2017 Nikon F100 Fujicolor C200017

Overexposing the C200 one stop (Shot at 100 ISO) 

There is a small yellow cast over the picture, in the green tones it gets more accented than in other tones, blues are more pastel than at box speed.

Underexposing C200 one stop (shot at 400 ISO)

Blues become strong and more vibrant. However, greens become muddier and they start to fade in the shadows. Shadows become slightly greenish, really typical feeling of other Fujifilm films. I’m not a fan of this green shadows, but I saw people doing a great job doing low-key portraits and work with this technique and they look amazing. I’d rather go for a similarly-priced 400 ISO if you really need the extra speed.


Fujicolor C200 is a film that I really like. It is widely available, it is cheap, you can buy 24 and 36 exposures and the latitude is amazing, you can easily underexpose without worrying too much on burning the highlights. Grain is quite controlled for such a cheap film. With a good scanner and a few minutes of editing you can get amazing results with it. It wouldn’t be my top choice in the range of cheap films, I’d rather shoot Superia X-TRA 400 at ISO200, or Kodak Colorplus at 200 as well. But, you can’t go wrong with this film, for almost any situation.

YES

  • Daily use, load it in your camera and ready to go. It will respond correctly to any situation.
  • Experiment with it, overexpose, underexpose, all the results came out great from every camera I used it.
  • Widely available, cheap and good, what else do you need?

NO

  • If you are looking for a sharp, clean image. I felt that it can be quite muddy sometimes.
  • I wouldn’t overexpose it too much, better go for the Superia X-TRA 400 for almost the same price.

 

Check out the gallery for more shots taken with this film!


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Fujicolor Superia 200 Review

*Note to the reader: Generally, I will only review films that are not expired and still in production. However, during the time that I was shooting this film, prior to the review, Fujifilm announced that the Superia 200 (among other lines from Fujifilm) would be discontinued. Leaving only the Fujicolor C200 and Superia X-TRA 400.

Many people wonder why Fujifilm is discontinuing so many films recently, I think the explanation is quite simple, two equal products “35mm film”, to the same target “nonprofessional film user”, at a similar price range in the same market. It is called Cannibalization “In marketing strategy, cannibalization refers to a reduction in sales volume, sales revenue, or market share of one product as a result of the introduction of a new product by the same producer.

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After introducing the Fujicolor C200, the Superia 200 sales were reduced for a very similar product. Maintaining two lines of production, distribution, and marketing is not cheap. I think Fujifilm decided to go for the product that will bring them more revenue. The Fujicolor C200. For what I know, C200 is cheaper to produce than the Superia line.
Most target customers will not even realize that Superia 200 has been discontinued because it is a perfect substitute “Perfect Substitute is a good that functions just the same as the good it is being compared to. An example would be Coke or Pepsi, BP petroleum or Exxon petroleum etc…

Sad but understandable, with fresh stock remaining in the market, let’s see how the Superia 200 behaves.

Fujifilm has two different consumer films in ISO 200. The Fujicolor C200, the budget-friendly option and Superia 200, the “Premium” consumer option. The Superia 200 rivals directly in price and range with the Kodak Gold 200, while the C200 competes with the Kodak Colorplus 200. The professional option in this ISO range of color negative would be the Fujicolor Pro 160NS (also recently discontinued).

The Superia 200 is a daylight balanced film, sold in single rolls of 24-36 exposures or packs of 3 rolls. Originally Superia 200 was also offered in “110” cartridges. Although all these “110” films are already expired, eventually we can see some popping up on eBay.

Name Fujicolor Superia 200
ISO 200
Developer C-41, CN-16
Available formats 35mm
Exposures 24-36
DX coding Yes
Availability ★★★★☆

Widely available but discontinued since 2017.

IMG_20160829_122228_HDR

I bought 5-6 rolls of Superia 200 and shot it in the span of 15 months. I shot most of them with my trusty Nikon FM and the -now defunct- 50mm f1.4 Ai-s that I dropped while reviewing this film in Spain. Even with different cameras and lenses, it gave consistent results with vivid colors. Saturated colors, resulting in saturated skin colors, with a slight blueish-green tone in the shadows.

SPAIN - Sevilla Far West AUG2016 Nikon FM Fujicolor Superia 200-004

[FILM] SPAIN holidays summer AUG2016 Nikon FM(s) Fujicolor Superia 200028

Reds and greens are very intense, it makes red tones and especially brown tones like the clay tiles  or the facade in the picture turn into a darker crimson tone. It definitely gives an interesting tonality to warm colors, however, it also gives a pinkish tone to skin tones that I don’t find pleasant. In almost every picture, except in those too overexposed, people in it look like if they just finished a 5K run, pink cheeks, and red shadows.

SPAIN TAIWAN - Tamsui Madrid JUL2017 Nikon FM2 - Fujicolor Superia 200 -006

[FILM] SPAIN holidays summer AUG2016 Nikon FM(s) Fujicolor Superia 200023

[FILM] SPAIN holidays summer AUG2016 Nikon FM(s) Fujicolor Superia 200027

Blues are also very intense. Pictures with a blue sky or water will definitely benefit from it, tones look very deep and that helps to create really cool images. Again, in this clay tile floor, we can see the “pink” feeling that I mentioned before.

SPAIN - Sevilla Far West AUG2016 Nikon FM Fujicolor Superia 200-030

SPAIN - Sevilla Far West AUG2016 Nikon FM Fujicolor Superia 200-035

Yellows look really neutral. In this case the, cathedral was under tungsten light, and it really represents the real color. Not too bright, really appropriate and correct hues.

Ultimately, I used this film for some portraits, some under natural light, others with a direct flash. On subjects with different types of skin tone.

Like I mentioned before, in different lights it gives pinkish tones that generally are quite unpleasant. Only when the film was overexposed the red tone disappears, but at that point, we were starting to lose detail in the subject’s features. With flash is slightly better, I think this film really pairs with cheap compact cameras, with that tiny flash included.

Compared to Fujicolor C200

[FILM] TAIWAN camping KTV MAR2017 Nikon F100 Fujicolor C200016
Shot on Fujicolor C200

Fujicolor C200 renders much better skin tones hand down, with or without flash the tones are much more pleasant (always in my opinion) than Superia 200.


Color chart and measurement of the colors.

SPAIN TAIWAN - Tamsui Madrid JUL2017 Nikon FM2 - Fujicolor Superia 200 -018

RED Average Colour R:219.0 G:127.0 B:88.0

GREEN Average Colour R:170.0 G:201.0 B:92.0

YELLOW Average Colour R:248.0 G:225.0 B:85.0

BLUE  Average Colour R:68.0 G:120.0 B:166.0

You can take also a look at this article on How do I measure the colors?


SPAIN TAIWAN - Tamsui Madrid JUL2017 Nikon FM2 - Fujicolor Superia 200 -012

SPAIN TAIWAN - Tamsui Madrid JUL2017 Nikon FM2 - Fujicolor Superia 200 -011

Summing up, Superia is a well balanced film. Vivid colors, very intense reds. It really reminds me to the Fujicolor Industrial 100. It pairs very well with compact cameras, you can use the bright colors and a high depth of field as a part of your composition. It pairs greatly with an electronic flash.

The Superia 200 would never be my first choice in almost any situation. I can’t stand the pink skin tones and green shadows. Is not the cheapest, is not a high ISO film, and currently discontinued, will just make prices go higher. I would definitely go for Kodak Gold 200 in that price range. If you really like the Fujifilm color palette, I would opt for C200 instead. Fujicolor C200 is cheaper, more available and better reproduction of colors. I believe, that was part of Fujifilm’s decission to choose C200 to stay over the Superia 200.

[FILM] SPAIN summer vacation with my parents - AUG2016 - Nikon FM (S) - Fujifilm Superia 200 -018

Like I always mention, this reviews are completely subjective, based on my own taste and impressions. I’ve seen several great photos with Superia 200 online, but definitely is not my piece of cake. It’s a pity that Superia 200 is discontinued, but I will definitely not miss it.

YES ⇑

  • For daily use, daylight balanced, medium ISO, really average priced.
  • If you want a cheap film with saturated colors.
  • If you like the characteristic Fujifilm  color palette.

NO ⇓

  • I wouldn’t use for portraits, it will give pink skin tones and, do not dare to underexposed, it will turn bright red.
  • Pushing it to 400. Superia 400 stills in production and will cost you less than this one.
  • If you plan a long term project. Go for a film that stills in production, otherwise the consistency of your job will be compromised.

Check out the gallery for more shots taken with this film!